Author: xeyeti

Rockin’ in the Free World

| xeyeti

So I’m putting together an honest-to-God rock and roll band, just because.

I figure, why not? I’ve got some decent songs, I can sing and play rhythm guitar well enough, and I’ve got a songwriting partner who can also do some singin’. We just need the rest of the instruments.

So far, I’ve found a bass player who’d work perfectly, and a lead guitarist who may or may not be a good fit (need to try him out with the songwriting partner in attendance). What we’re having trouble with, though, is finding a drummer. Apparently good roots rock drummers are hard to come by in Northern Virginia. If I were doing metal, I’d be in like Flynn, but alas, I have taste.

So yeah, if anyone knows of a good drummer in the Northern Virginia/Greater DC metro, area, please let me know. It would be nice to have a full rhythm section.

The Pull List – February 9th

| xeyeti

Quite the haul this week! Let’s dig in! Quick note, though: while I usually try to avoid them, there will be some spoilers this week, just FYI. Admittedly, I won’t be doing any more spoiling than the cover of the comic did itself, but etiquette requires a warning.

Power Man and Iron Fist #1: I love me some Fred Van Lente comics, folks. And this one is pretty good. I’m not sure how much the characterization of Danny Rand matches up to the Immortal Iron Fist series done by Fraction/Brubaker a few years ago, but it’s a fun read with some interesting villains (really, who uses Commedia del Arte anymore? That’s clever. And Don of the Dead? I laughed. Out loud. Or LOL’d, as the kids say these days. God, I’m old). The art’s not bad, though there are a couple of spots (Power Man’s fight with the shadowy guy on the rooftop) that’re kind of hard to follow. This should be an interesting miniseries, though.

Justice League: Generation Lost #19: If Judd Winick just did what it looks like he just did to Blue Beetle, I am going to be royally pissed. Seriously, for as conspiracy theory-ish as the whole “DC is trying to get rid of all their minority legacy characters and replace them with the good ol’ white boys again” chatter you see, there’s a fair amount of substance to the argument: John Stewart and Kyle Rayner (Stewart’s African American, Rayner is part Hispanic, I believe) being replaced by Hal “White Bread” Jordan in Green Lantern, Ryan Choi (Chinese) being offed in a gruesome and wholly unnecessary fashion in the pages of Titans just to prove Deathstroke and his crew are “badass” and make way for Ray “gee, I’m dull” Palmer to be The Atom again (even though Final Crisis used both of them quite well and proved there’s room for more than one Atom in the DCU)…and now Jamie Reyes, the Mexican-American kid who became the Blue Beetle in the wake of Infinite Crisis (easily one of the best things to come out of that whole event; God, the Blue Beetle book was good. I miss it), gets capped in the head by Maxwell Lord? I am not happy. Compound that fact with the art (which is pretty mediocre and has some storytelling problems throughout, not to mention Jamie does not look like a high school kid once he’s in his armor), and this issue just really upset me. Judd Winick had managed to build some goodwill from me with his work on this book, but he may’ve just lost it in one panel.

The Flash #9: We finally get back to the story after a couple of issues of character (villain) spotlights. I do love me some Manapul art, lemme tell ya. There’s not a bad panel in the book. I do like that Geoff Johns is dividing the storylines into “cases,” which fits very well. We’re still not getting much characterization out the returned Barry Allen, but that’s not Johns’s style: he’s about the big plots and the “look at this cool, obscure pit of continuity that I just dug up to play with.” Still, Manapul art. Mmm.

Casanova: Gula #2: Casanova is one of those books I’m starting to think I’m not smart enough to get. I mean, I get the basic bones of it: Casanova Quinn got pulled from his own universe to a parallel universe where his counterpart was a decent guy, and now he’s become a decent guy himself through weird circumstances. And now he’s missing in time somehow. I just don’t get how we jumped from that first sentence to the second one. This issue, though, deals with the missing Casanova only for a bit, choosing instead to focus on his not-so-nice sister (who’s supposed to be dead in this universe), Zephyr, as she goes around killing folks for money. Or sex. Possibly both. Fabio Moon’s art is moody and brilliant, and fits the manic story quite well.

Knight and Squire #5: Jarvis Poker, the English Joker, is dying. But before he goes, he’s going to pull off one last brilliant joke on the people of Britain. We get to see that the “British Batman,” Knight, isn’t really the same guy as our own Dark Knight; no, this guy has a very English outlook on life, and he knows Jarvis isn’t a dangerous guy. There’s some brilliant characterization, some very nice moments, great art, and a twist at the end that I did not see coming that really has me looking forward to next issue. Good stuff.

Batman and Robin #20: This is the first issue of the new creative team, Tomasi and Gleason. Tomasi has a very different voice for these characters than what we’ve seen before; his Damian Wayne is more of an apathetic pre-teen boy here. We’ve seen him in Morrison’s and Cornell’s runs as obstinate, willful, stubborn, and of the opinion that he knows more than Dick Grayson (which, admittedly, isn’t too far off from most pre-teen boys anyway), but never…bored. It’s a bit of characterization that just doesn’t quite ring true, and to an extent almost wrecks the character growth he’s had since his introduction at the beginning of Grant Morrison’s Batman run. Otherwise, the script and the dialogue aren’t too bad; the opening scene of Bruce Wayne watching The Mask of Zorro with his adopted family works well, and Tomasi has already found a decent voice for Dick Grayson. I am bothered by Gleason’s art, though: his figure work is too stocky, too thick. He handles the big action scenes quite well and with plenty of dynamic movement (look at the page where Robin is swinging off the tied-up bad guys in the alleyway over the car as Alfred pulls up), but his art just doesn’t work in the quieter, less-colorful moments.

Birds of Prey #9: Things are getting almost out of hand with Oracle’s plan, as we see the Birds get captured, Black Canary deal with her innermost demons, and Hawk be a complete jerk. The art’s solid, the story is interesting, the characters are engaging…this is typical Gail Simone fare, and that is not a bad thing by any means.

Atomic Robo: Deadly Art of Science #3: This is the…quietest issue of Atomic Robo I’ve ever read. Sure, there’s super-science, references to duking it out with giant robots, and hints of the bigger plot here, but this is a character issue. Robo is getting in deeper with Jack Tarot and his daughter, who has some sort of automaton fetish or something going on, but the bigger part of this issue is given over to Robo’s and Tesla’s relationship, and it’s downright fascinating. Telsa’s really only been a background character to this book (by which I’m referring to the four volumes that have come before this particular miniseries), a shadowy influence that we know set Robo down the path to figuring things out with his brain rather than his fists. It’s nice to get a chance to see how that happened, ’cause our only glimpses of Robo when he was “young” so far have involved him shooting at a giant C’Thulu-esque monster and chasing after gangsters while spouting wide-eyed one-liners. And while there’s nothing wrong with that (believe me, there is nothing wrong with anything in that sentence), we haven’t gotten a sense of how Tesla’s legacy was imparted to Robo. Now we’re seeing it, and it makes a lot of sense. Plus, Tesla is just damn funny.

I also grabbed the trade of The Question: The Pipeline, the backup feature that ran in Detective Comics while Batwoman was the headliner. It actually reads a little too fast all at once like this; as a backup feature, it worked perfectly in little 8-page doses, and having a break in-between issues gave you a sense of the passage of time. Here, things just seem to happen to fast. I also grabbed the first collection of Suicide Squad. I know Gail Simone swears by this book (and possibly got some of her choicer swears from this book), but I’ve never had a chance to read much of it aside from that one miniseries they did several years back, From the Ashes. I’m really looking forward to digging into this title.

The Pull List – February 2nd

| xeyeti

I’m stuck in DFW Airport, but I’ve still got comics for you!

Deadpool and Cable #26: This wasn’t a planned purchase, but it was a fun comic nonetheless. Deadpool is sad that his old buddy Cable is dead, so he decides to head to an Eastern European country Cable used to run. Hijinks ensue. It’s a fun comic and a nice little farewell to Cable (until the inevitable resurrection).

Invincible Iron Man #500.1: Part of Marvel’s “.1” initiative to offer jumping on points for many of their titles, the concept here (Tony telling his life story at an AA meeting) is clever, but it’s really more of a charterers history for those already in the know than a place for newcomers to jump on.

Secret Six #30: This is the first part of a crossover with Doom Patrol. And it’s hilarious. It feels somewhat rushed at times, but every single scene sparkles wig the wit, clever dialogue, and pitch-perfect violence that this book is known for. If Keith Giffen ever leaves Doom Patrol, I want Gail Simone to take it over. Or at least write an Ambush Bug book.

I also grabbed the first volume of Phonogram, which sounds cool, but left before I had a chance to crack it open.

The Pull List – January 26th

| xeyeti

Man, it was pretty much a snow week here in Northern Virginia, but that didn’t stop me from getting my comics!

Wonder Woman #606: This feels like a completely different book than the one JMS was writing by himself. I dunno how much of that is Phil Hester’s doing, or how much of it was planned by JMS himself (I’m guessing more the former than the latter), but it’s turning into something I actually want to read. Diana actually seems like a character with some personality now rather than a cipher for whatever boring-ass story JMS was wanting to tell. Sure, we’re still dealing with the “someone messed up Wonder Woman’s timeline and now she’s in this alternate timeline where everything is different but not really all that different look Wonder Woman’s wearing pants isn’t that new,” but at least it’s interesting now.

Justice League: Generation Lost #18: We get a battle between a confused Power Girl and the JLI, Blue Beetle gets tortured a bit more by Maxwell Lord (who also spends some time rambling about “what is good and evil, anyway?”), and things are being moved into place for a final confrontation (there’s only six issues left now, y’know). I’m really, really hoping they do not kill of Jamie Reyes; he’s easily one of the most interesting characters introduced into the DCU in the past ten years (alongside Ryan Choi, but we all know how that went). This book is keeping my interest and making me look forward to the next issue, which is never a bad thing.

Deadpool #32: Deadpool versus the galaxy’s most unstoppable bounty hunter! No, not that intergalactic bounty hunter – he’s part of the Distinguished Competition – but the inspiration is pretty clear. And inspired is a pretty good word for this issue: it’s fun, gives us some great gags and visuals, and it doesn’t get too bogged down in trying to be funny (which is a problem I’ve noticed with this character and title before: when it doesn’t work, it’s because it’s trying too hard to be funny rather than letting the humor flow naturally out of the situation or characters). It’s a solid, done-in-one story that’s a light, fun read. What more could you want?

Detective Comics #873: A quick complaint/question: the cover to my copy of this issue has all sorts of streaks and smudges on it. Was it supposed to look like that? Or was it just a byproduct of printing dark colors on a white background? Regardless of this quibble, the issue inside is fantastic. Jock’s art has a sketchy, angular look to it that suits the comic well, containing just enough detail, and Scott Snyder’s script makes excellent use of the fact that Dick Grayson as Batman is not the same as Bruce Wayne as Batman. Had it been Bruce Wayne in this situation, it would’ve played out much differently (especially because, given the current tendency to show Bruce Wayne as the guy who plans for every single possible situation, he wouldn’t have ended up in the same predicament that Dick did), but Dick learns a few things about being Gotham’s protector and saves the day at the end. I am sad to see they didn’t finish up the Commissioner Gordon backups in this book so they cold “hold the line at $2.99,” but I guess we’ll get the resolution to that in a one-shot down the road (kinda like they’re doing with the Jimmy Olsen backups from Action Comics).

Action Comics #897: Speaking of Action Comics, this issue felt like a bit of a letdown, honestly. Lex Luthor’s confrontation with the Joker could’ve been much zanier than it ended up being; I mean, haven’t these two interacted before? Doesn’t Lex know enough to keep his cool when the Joker is razzin’ him? And beyond that, how is the Joker in Arkham? I seem to recall he was still on the loose after his appearance in Batman and Robin. Ah well. All that aside, we do get a couple steps closer to the resolution of Lex’s search for the Black Lantern energy, we find out his Loisbot might have some sinister ulterior motives, and there is a magic pony who sings.

Chaos War #5: This event ends in probably the only way it really could. Of course we know the Chaos King will be defeated; otherwise, this would’ve seeped over into the rest of the Marvel Universe line a whole hell of a lot more than it did. We get some folks resurrected permanently, while others don’t (which was kinda weird, but probably handed down from editorial), and the solution to the problem is deus ex machina in a very literal way. At the end, we do get the promise that this isn’t really the end of Hercules’s adventures, but rather the beginning of a new era of adventures.

I also grabbed the Batman International trade, which features a couple of stories written by Alan Grant (one of which was illustrated by Frank Quitely, which might be why I bought it) and another written by Mark Waid. They’re good stories, and it’s fun to see more Batman kickin’ but in places like Spain and Scotland, but it’s ultimately not an essential read by any means.

Oh, Denim

| xeyeti

A month or so back, I went to a concert with my friend/songwriting partner, Emily. We were very excited to see the main act, Jesse Malin. The opening act, though? Not so much.

See, apparently he was some guy who’d used to play in a band with Jesse, but hadn’t really moved on to bigger and better things afterward. No, he was still pretty convinced it was 1991, that trying to cram as many curse words into your opening song was “cool” and, possibly, “edgy,” and that wearing a denim jacket with jeans was a fashion statement (which, in his defense, it was. Just not the statement he thought it was).

Regardless, our opinion of this guy and his music was rather low. Terribly low. We had to invent new language to describe how much we disliked this sub-Bon Jovi, sensitive-guy whiner belting out his acoustic power ballads set to G, C, and D. It was painful.

But it was also, in a way, inspirational: Emily and I both walked away after hearing Double-Denim Poser Boy (as we’d dubbed the man in his late 40s who was still trying desperately to pretend he was 25) with a mission: to write a song about the guy. And we each did. Quite fun songs, I should say.

Anyway, long story short (or not so short), here’s my version. Enjoy.
Double Denim Poser Boy (Version 1)

The Pull List – January 19th

| xeyeti

Pretty good week this week, even if it was light on single issues.

Thor #619: Odin is mad as Hell, and he lets everyone know it. Balder and Tyr gird their loins for a brave battle against the oncoming forces of darkness, and Thor mostly stands around doing a whole lot of nothing. Fraction’s got this story on a bit of a slow burn, introducing small elements in each issue that will (I hope) all add up to something awesome, but it’s a bit of a slog waiting for the action to start.

Deadpool MAX #4: Cable! In a monocle! There’s something sinister brewing in this book, some deeper story that’s simmering just below the surface. Bob gets lucky, Deadpool goes temporarily hippy, and Cable is actually interesting (and wears a tux and the aforementioned monocle!). I was originally skeptical about this book, but I find myself enjoying it more and more with each issue.

Invincible Iron Man #500: Iron Man returns to its “original” number this issue with a cross-generational tale of Starks trying to save the world from their own inventions. It’s a solid story, though the guest art on the book didn’t really gel with the usual glossy, heavily-rendered style we normally get on the book.

I also grabbed three trades this week: Thor: Siege, volume 10 of X-Factor, and the latest collection of Secret Six. Good, good stuff all around.

The Pull List – January 12th

| xeyeti

New comics are go! Let’s take a look.

Batman and Robin #19: This wraps up Paul Cornell’s three-issue run on the title, and it’s a decent finale. Cornell introduced a new villain, The Absence, that I’m sure someone somewhere down the line will probably bring up again. There were some flaws with this issue (the villain’s motives are still just weird and feel off, some of the dialogue felt a bit off), but it’s nice to see Dick Grayson as Batman loosening up and enjoying his job again.

Birds of Prey #8: When a story references that abomination Identity Crisis, I always get a bit concerned. But I trust Gail Simone, and I know she’ll come up with something interesting here. The premise of the story arc – that Oracle needs to clean the slate and start fresh to protect those she loves – makes sense, I guess. And getting Bruce Wayne (as Batman) involved in it is interesting (and also has me wishing she was writing an actual Batman book now).

Booster Gold #40: The past…er, future…comes back to haunt Booster this issue. It’s an interesting direction to take the book and the character in. Booster has grown considerably as a character in the past few years, and it’ll be interesting to see how he handles someone digging up his bad deeds.

Casanova: Gula #1: Where is Casanova Quinn? He’s disappeared in time and/or space, and it’s up to his allies in E.M.P.I.R.E to find him. It’s a strong start to the second miniseries from Fraction, this time with art by the fantastic Fabio Moon. It’s awesome and over the top, but I shouldn’t have to tell you that.

Chaos War: Dead Avengers #3: Here, we get to see what heroes are really made of, and a few of ’em aren’t gonna survive the experience. A couple do, however, and while this particular mini doesn’t feel vital to the greater arc of the Chaos War event, it’s still a nice tie-in and uses the Chaos War backdrop to great effect.

Deadpool #31: This issue wraps up Deadpool’s involvement with the “Draculas,” and it’s a damn fine comic. Deadpool’s quips are funny, his solution to the vampire problem is clever, and it’s easy to forget that this book is tying in to an event over in X-Men.
Let’s see where it goes from here.

Justice League: Generation Lost #17: We’re finally starting to see Maxwell Lord’s plans here, and they aren’t pretty. Checkmate is abolished, only not really, Blue Beetle’s captured, and the rest of the JLI has a new foe to face that’s…well, let’s just say it ain’t gonna be so easy to walk away from this one.

Knight and Squire #4: Beryl has a boy come to visit, and the Knight finds himself fighting his own armor. It’s a fun issue (as all the issues of this book have been), with the highlight being the Knight’s American butler, Hank (who is from Texas, I’m thinking).

Secret Six #29: This issue picks up where the last issue of Action Comics left off: with the Six caught up in a power struggle between Lex Luthor and Vandal Savage. All the Six can really do is stand by and watch (and throw in the occasional one-liner). The framing sequence featuring Ragdoll is funny as hell and more than a little disturbing, but what do you expect from him? I can’t say I was particularly happy with the art this issue, but it’s serviceable.

I also grabbed the trade of the first Casanova story arc, which was (of course) pretty awesome and will (I’m thinking) read better all at once than in single issues.

Stupid Weather

| xeyeti

Look, I’m a teacher. I love my job, I love working and all, but I also love snow days. They are one of the perks of the job: when the weather outside is frightful, I get to sleep in while the rest of the schmucks telecommute or, hell, even actually drive into work through the snow. If we don’t get a snow day once in awhile, I feel like we’re really not getting all of our benefits.

All that being said: why the hell have we not had a single damn snow day yet? The dustings we’ve had this winter? Pathetic. While everyone around us has had inches upon inches of snow dumped upon them in some sorta winter wonderland (for example, my wife’s uncle just mentioned that where he is in Westchester County, NY, is getting between 16 and 22 inches of snow tonight, while we will get…um…maybe 1 to 3), we’ve been sitting here, waiting to see if we’ll get any sort of snow. Nothin’ worth writing home about so far, though.

So c’mon, weather: let’s get with the program, huh?

The Pull List – January 5th

| xeyeti

Kind of a slim start to the new year, but here we go nonetheless!

Weird Worlds #1: This is an odd little anthology title, and while it has some promise (art by Jerry Ordway, Aaron Lopresti, and Kevin Magiure? It’s like Christmas again!), the writing and the characters feel a bit flat to me. The Lobo story feels like it’s something we’ve seen before, Garbage Man feels rather like Swamp Thing, and…well, actually, I quite liked Maguire’s offering, Tanga, probably because it feels like the sort of thing I could see Maguire doing with his old JLI buddies, Giffen and DeMatties.

Doom Patrol #18: This issue is mostly fighting, but it’s fun and energetic fighting. We get to see the Patrol run up against the Bostwick family, a group of people with “mandatory immortality.” The Patrol hold their own against the group, and Rita’s pounding of the Bostwick son is pretty classic. Also, the recap pages continue to be hysterical, up there with anything Pak and Van Lente did on Incredible Hercules in terms of combining effective summary and smart humor. Good stuff.

I also grabbed a couple of trades: the fourth volume of Fraction and Larroca’s Invincible Iron Man, which finds Tony Stark trying to reboot his brain, and the first volume of Jonathan Hickman’s Fantastic Four run, which I’ve heard good things about.