Sketch a Day, Day 160

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Sorry about the sudden absence. We had a busy and rather hectic weekend, and last night I was helping my wife with a big school project. So I’ll have a few comics to make up over the next few days. Here’s one of Batman.

Sketch a Day, Day 60

I’ve done 60 whole days of this, can you believe that? It’s, like, two whole months or something (someone check my math there).

Today’s sketch features two of my characters, Jerome and Simon, though one of them appears to have been replaced by a masked avenger of the night…could it be? Could Jerome really be the Dark Knight Detective?

No. The answer is no.

Maybe he's the French Batman?

The Pull List – January 26th

Man, it was pretty much a snow week here in Northern Virginia, but that didn’t stop me from getting my comics!

Wonder Woman #606: This feels like a completely different book than the one JMS was writing by himself. I dunno how much of that is Phil Hester’s doing, or how much of it was planned by JMS himself (I’m guessing more the former than the latter), but it’s turning into something I actually want to read. Diana actually seems like a character with some personality now rather than a cipher for whatever boring-ass story JMS was wanting to tell. Sure, we’re still dealing with the “someone messed up Wonder Woman’s timeline and now she’s in this alternate timeline where everything is different but not really all that different look Wonder Woman’s wearing pants isn’t that new,” but at least it’s interesting now.

Justice League: Generation Lost #18: We get a battle between a confused Power Girl and the JLI, Blue Beetle gets tortured a bit more by Maxwell Lord (who also spends some time rambling about “what is good and evil, anyway?”), and things are being moved into place for a final confrontation (there’s only six issues left now, y’know). I’m really, really hoping they do not kill of Jamie Reyes; he’s easily one of the most interesting characters introduced into the DCU in the past ten years (alongside Ryan Choi, but we all know how that went). This book is keeping my interest and making me look forward to the next issue, which is never a bad thing.

Deadpool #32: Deadpool versus the galaxy’s most unstoppable bounty hunter! No, not that intergalactic bounty hunter – he’s part of the Distinguished Competition – but the inspiration is pretty clear. And inspired is a pretty good word for this issue: it’s fun, gives us some great gags and visuals, and it doesn’t get too bogged down in trying to be funny (which is a problem I’ve noticed with this character and title before: when it doesn’t work, it’s because it’s trying too hard to be funny rather than letting the humor flow naturally out of the situation or characters). It’s a solid, done-in-one story that’s a light, fun read. What more could you want?

Detective Comics #873: A quick complaint/question: the cover to my copy of this issue has all sorts of streaks and smudges on it. Was it supposed to look like that? Or was it just a byproduct of printing dark colors on a white background? Regardless of this quibble, the issue inside is fantastic. Jock’s art has a sketchy, angular look to it that suits the comic well, containing just enough detail, and Scott Snyder’s script makes excellent use of the fact that Dick Grayson as Batman is not the same as Bruce Wayne as Batman. Had it been Bruce Wayne in this situation, it would’ve played out much differently (especially because, given the current tendency to show Bruce Wayne as the guy who plans for every single possible situation, he wouldn’t have ended up in the same predicament that Dick did), but Dick learns a few things about being Gotham’s protector and saves the day at the end. I am sad to see they didn’t finish up the Commissioner Gordon backups in this book so they cold “hold the line at $2.99,” but I guess we’ll get the resolution to that in a one-shot down the road (kinda like they’re doing with the Jimmy Olsen backups from Action Comics).

Action Comics #897: Speaking of Action Comics, this issue felt like a bit of a letdown, honestly. Lex Luthor’s confrontation with the Joker could’ve been much zanier than it ended up being; I mean, haven’t these two interacted before? Doesn’t Lex know enough to keep his cool when the Joker is razzin’ him? And beyond that, how is the Joker in Arkham? I seem to recall he was still on the loose after his appearance in Batman and Robin. Ah well. All that aside, we do get a couple steps closer to the resolution of Lex’s search for the Black Lantern energy, we find out his Loisbot might have some sinister ulterior motives, and there is a magic pony who sings.

Chaos War #5: This event ends in probably the only way it really could. Of course we know the Chaos King will be defeated; otherwise, this would’ve seeped over into the rest of the Marvel Universe line a whole hell of a lot more than it did. We get some folks resurrected permanently, while others don’t (which was kinda weird, but probably handed down from editorial), and the solution to the problem is deus ex machina in a very literal way. At the end, we do get the promise that this isn’t really the end of Hercules’s adventures, but rather the beginning of a new era of adventures.

I also grabbed the Batman International trade, which features a couple of stories written by Alan Grant (one of which was illustrated by Frank Quitely, which might be why I bought it) and another written by Mark Waid. They’re good stories, and it’s fun to see more Batman kickin’ but in places like Spain and Scotland, but it’s ultimately not an essential read by any means.

The Pull List – August 25th

I was out of town all week, but I managed to pick up comics this week nonetheless.

Justice League: Generation Lost #8: Yeah, this is Winick’s gig now, no Giffen, which makes me quite sad (but has me hoping that Booster Gold will now move away from a parallel storyline with this title and go off in a new direction). The book’s not bad, and Lopresti’s art is great as always, but there is something just a little too rote about the proceedings. The reveal at the end isn’t telegraphed or anything, but it’s pretty obvious nonetheless; there is some good interaction going on between Fire and Rocket Red here, though.

Wonder Woman #602: Diana cuts loose on some soldiers and does some serious damage, finds some Amazons, and learns a little bit about sacrifice. It’s a decent issue and not as heavy on exposition as I feared it would be (it’s nice seeing Straczynski jump into action this early instead of having everyone spend the issue sitting around talking), but I’m still not sold on this “all-new Wonder Woman.”

Astonishing X-Men #35: This issue (finally) wraps up this storyline (and probably the series as a whole, since they’re switching the Astonishing line to mini-series), and while the art is good and there are some great Ellis lines (“Don’t be such a baby. You’ll almost definitely probably not die this time”), the whole reveal of who the “villain” is seems weak after the build-up we’ve had, and the whole thing just seems…kinda meh.

Detective Comics #868: Part Two of Impostors features more great art from Scott McDaniel, but the story itself is leaving me cold. I think my biggest problem is that it makes Batman seem ineffectual. That doesn’t really jive with everything we’ve seen about Dick Grayson (both as Nightwing and as Batman), and he seems to mostly be sitting around wringing his hands going, “Well, golly, I wish we could do something about all this.” We’ll have to see where it goes from here.

Batman #702: Part Two of Grant Morrison and Tony Daniel’s look at what happens between the end of Batman RIP and Batman’s crisis in time during Final Crisis. This is a pretty good issue, doing more than just filling in gaps: we get some nice mythology with the “God Bullet” that Batman shot Darkseid with in Final Crisis, further details on what the Omega Sanction actually is, and what’s happening to Bruce Wayne right now. It’s pretty cool, though I still really do not care for Daniel’s art.

Action Comics #892: This comic continues to be awesome. Luthor goes head to head with Deathstroke, finds some black ring energy, and basically proves that he’s pretty awesome. I really like the focus on Luthor as a character in his own right rather than as an arch-nemesis for Superman. Cornell and Woods are knocking this one out of the park.

Prince of Power #4: This issue concludes the mini-series and sets up the coming Chaos War. We get Amadeus Cho’s finest hour, a knock-down fight between Delphyne and Atalanta, and a (not-unexpected) return. This was really a perfect comic, with humor, epic battles, and some great character moments. I’m really looking forward to the next chapter in this saga.

I didn’t grab any trades when I was at the comic shop this week, but I did order the first deluxe volume of Ex Machina and the fourth volume of Walt Simonson’s Thor from Amazon. I’ve started in on Ex Machina, which seems pretty cool, and you really can’t go wrong with Simonson’s Thor.

The Pull List – July 14th, July 21st, & July 28th

So, long time out of commission, I know, but I picked up all my comics yesterday and today and managed to read ’em all already, so let’s see what’s been going on, shall we?

Batman #701: Grant Morrison reunites with artist Tony Daniel to tell the “Lost Chapter” between the end of R.I.P. and Batman’s “death” in Final Crisis. As with R.I.P., I don’t really care at all for Tony Daniel’s art. It’s too sketchy, too lacking in polish, too inconsistent. It mostly deals with Batman trying to figure out whether or not Dr. Hurt survived the helicopter crash at the end of R.I.P. (which anyone who’s been reading Batman & Robin knows he, y’know, did) and decide whether or not Hurt is who he claims to be. This seems like a pretty inconsequential story, honestly, and I’m not sure why Morrison felt it was necessary to do it. It’s not exactly bad, per se, but unnecessary.

Justice League: Generation Lost #5 & 6: Issue 5 gives us the reconstituted JLI standing around trying to decide whether or not to go after Maxwell Lord (they decide to, of course) Issue 6 deals with Captain Atom jumping into the future after absorbing too much energy and jumping into the future, where he discovers that if they don’t stop Max, things’re gonna get real bad. We’re about a quarter of the way through the series now, and we really haven’t seen much happen as of yet. It’s all been setup, getting characters into place, establishing motivation, and making Max not just a credible threat, but someone who really needs to be stopped to prevent something horrible from happening to the world.

Booster Gold #34: Booster goes back to the ol’ JLI days again to try once more to get evidence to pin on Maxwell Lord and prove to everyone that Max even exists. Booster spends a good chunk of the issue ruminating on the fact that he’s not the same guy he was back then, and his sister and the young child he rescued from the future spend some time getting to know each other. Giffen steps in and pencils a couple of pages this issue, and the shift between his work and Batista’s is pretty significant. Overall, it’s another solid issue from this creative team.

Invincible Iron Man #28: Posturing between Iron Man and Mrs. Hammer, more folks get hired for Stark Resilient, and Tony starts to tie some things together. This comic is on a slow build, but Fraction’s payoffs are usually pretty solid, so I’m willing to ride out the talky issues in anticipation of those payoffs.

Deadpool #25: Cross and double-cross, switched identities and changing alliances…I’m not really quite sure what the point of those particular storyline was, though it does seem to set up a new (albeit temporary, I’m sure) status quo for Deadpool as a guy with a (gasp!) job. It lacked the manic energy and non-stop gags we usually get in the Deadpool book, but the backup story (written by Duane Swierczynski) is pretty awesome (and the first time I’ve really enjoyed the “Pool-o-Vision” gag).

Green Hornet: Year One #4: In the past, the Green Hornet and Kato arrive in the United States, while in the present (well, 1938, at any rate) they continue their assault on Chicago’s mobsters. There’s some decent character work here by Matt Wagner, and Aaron Campbell’s art remains moody and fitting for the time period and subject matter.

Atlas #3: I was tremendously sad to hear that this title will be canceled after issue 5, as I’m really digging the story. Bad guys that can possess people’s bodies, a legacy hero who’s the only one who can see them, and some great art and well-crafted dialogue make this a solid book. The back-up story, featuring more detail about the origin of M-11, is also solid, though it just adds more details to what we already know.

Prince of Power #3: Amadeus Cho and Thor go into the Egyptian Underworld in search of the next piece of the recipe for eternal life, only to find that they’ve played right into Vali Halfling’s plans. The trademark humor and sight gags are in place and as hilarious as ever, and the lioness goddess of destruction turning into a LOLcat is pretty damn hysterical. It’ll be interesting to see how they wrap this up next month and set the stage for the Chaos War.

Welcome To Tranquility: One Foot in the Grave #1: This mini picks up right where the second collection left off. Mayor Fury is released from prison, and Sheriff Thomasina Lindo doesn’t seem to be too happy about it. Simone builds on previous Tranquility stories, teasing out existing stories and characters and setting up some new plot lines. The return of a character at the end of the issue is a nice twist, and it’ll be interesting to see where it goes next. Horacio Domingues’s art is decent and not too far off from Neil Googe’s style, though some of the lines seem too thick and make the characters come across as too blocky and kind of blurry.

Birds of Prey #3: I’d love to say this issue was fantastic, but there was a printing error and the middle 1/3 of the issue was actually from an issue of Batgirl. This is clearly another “nothing is as it really seems” sort of issue, and I’m more than happy to wait and see what Simone has planned, but I really do wish I could have read all of the issue (it’s pretty clear that there’s some important plot points in those missing pages).

Wonder Woman #601: This issue kicks off JMS’s Wonder Woman run, and it really just picks up right where the prologue in Wonder Woman #600 left off. Every vibe I get from this book is that this major status quo change has to be temporary; the very dialogue in this issue indicates that things shouldn’t be this way and that success will be measured by achieving a revival of the old status quo. All that being said, this isn’t a bad issue; there’s actually some plot developed (and not just in the plot dump/exposition vein of things), Wonder Woman finds her motivation and purpose, and we’re introduced to a shadowy new villain.

Action Comics #891: Mister Mind, that worm with a big brain, attempts to trap Luthor in his own fantasies so he can do…something to Luthor’s brain. For someone we don’t know. The worm fails, because you just don’t mess with Luthor’s mind, but the fantasies themselves are fantastic (Luthor as Dr. Frankenstein, a gunman in the wild west, and as a caveman stealing fire from the gods a la Prometheus). Cornell and Woods are really knocking this one out of the park.

Detective Comics #867: David Hine continues his run on Detective, this time with art from Scott McDaniel. McDaniel’s art is cartoony and recalls the old Batman: The Animated Series look without being a slave to it. He also manages to maintain a strong sense of kinetic energy and good storytelling mechanics. The only real problem with the story is that it’s pretty mundane: a group called the Jokerz are using a variation on the old Joker Venom running around causing trouble, and Batman and the GCPD are trying to stop them using minimal force. When a cop gets killed in retaliation for a dead member of the Jokerz, things get strained, and an impostor pops up at the end that will definitely cause trouble next issue. It’s standard fare, but well-crafted.

Batman: The Widening Gyre #6: This is the first half of Kevin Smith and Walt Flanagan’s planned twelve issues, and it’s a double-sized issue that ends on a hell of a cliffhanger. We get plenty of action, some nice interaction between Batman and Silver St. Cloud, and a surprise marriage proposal. The twist at the end I’d actually pegged well before it came around (if you’ve read Smith’s previous Batman min, Cacophony, you probably spotted it early, too), and there’s a tragedy that anyone who’s ever read a comic where Batman falls in love with someone could’ve predicted easily. It’s decent, if not great, and I am curious to see what Smith and Flanagan do next.

Batman: The Return of Bruce Wayne #4: Batman the cowboy! Honestly, that should be all you need to know, but it’s not really all that great, I’m sad to say. Morrison’s script is solid enough, though I’m not sure what the hell is going on with the bad guys, why they’re doing what they do, or anything like that. Georges Jeanty’s art is pretty awful; characters aren’t consistently rendered, adults often look like children in terms of stature and appearance, and it’s hard to tell characters apart sometimes. I’m definitely going to have to re-read this (and, really, the whole series) to truly be able to follow what all’s happening.

I also picked up two trades: X-Men: S.W.O.R.D. and Cowboys and Aliens. S.W.O.R.D. is pretty good so far; I’m definitely becoming a fan of Kieron Gillen’s work. I haven’t dug into Cowboys and Aliens yet, but it was only $4.99 for a pretty substantial chunk of comic (way longer than the same-priced Batman: Widening Gyre #6), and it’s written by Fred Van Lente.

The Pull List – June 16th

Real quick this week. I’ve got one more week of school, then I’m off for the summer! And lemme tell ya, it couldn’t arrive soon enough for this teacher.

Birds of Prey #2: Simone and Benes jump headfirst into the plot this issue, doling out some serious pain to our heroes and setting up some serious hurt. Who’s trying to frame the Birds? Who killed their old enemy/ally (and lemme tell ya, while I’m not usually okay with the whole “shocking murder to show the heroes that the villains mean business” routine, the death in this issue makes sense. Plus, I’m pretty certain no one’s used the character since Simone, and she’s the one who came up with the character, so I think it’s fair)? There’s some big questions and big problems in this issue, and I can’t wait to see what happens next.

Atlas #2: The Agents finally get some face time this issue, and while the whole thing is really just fight scenes and exposition, it’s tremendously fun and well-done fight scenes and exposition. The short backup stories that they’re giving us to fill in the actual (or, at any rate, one interpretation) events that occurred in the past to which the main story alludes are pretty nice, and the art is beautiful throughout both stories. Very well-done indeed.

Deadpool #24: Betrayals, switches, and carnage on the Vegas Strip! This comic was a fair amount of fun, with several more twists than you’d have thought would pop up in the issue. Definitely fun.

In terms of trades, I grabbed the Batman: RIP collection to round out my Grant Morrison Batman run and the third volume of J. Michael Straczynski’s Thor run. Both were pretty good and fairly epic, though, and since I’ve also been re-reading Grant Morrison’s JLA run, I feel like I need a cool down with some nice, light comics next week. We’ll see what happens.

The Pull List – June 9th

Holy crap, did I have a pile of books waiting for me this week! Let’s get to it!

S.H.I.E.L.D. #2: Refusing to answer questions but raising plenty of new ones, this comic jumps right in and gives us a Leonardo da Vinci who is, as he mentions in the last line of the book, tired of how “these men have stood on my shoulders for far too long.” Hickman’s script is tight and fun (though the text page that pops up 2/3 of the way through? That was weird. Is that a thing of his?), and Dustin Weaver’s art is absolutely beautiful: detailed, sharp, and well-rendered. Definitely interested to see where this goes next.

Batman #700: A special anniversary issue featuring a series of interconnecting stories written by Grant Morrison and illustrated by the likes of Andy Kubert and Frank Quitely. In a story that spans many years and several Batmen, we essentially get a story that expresses Morrison’s recurring theme during his run on the various Batman titles: no matter what, there will always be a Batman. Most of the art is beautiful (Quitely’s fight scene against the Mutants gang is particularly awesome), though it’s jarring when Quitely’s stuff ends with several pages left to go in his section and he’s replaced by the talented-but-quite-different Scott Kolins.

Secret Six #22: Holy crap. If this comic wants you to come away with any sort of message, it’s simply this: do not mess with Catman. He will mess you up seriously, and possibly just cold throw your old ass through a stained-glass window. His search for his son and vengeance ends in a way that makes sense, and we get to see just how dedicated he is to his son. Meanwhile, there’s a great knock-down between Scandal Savage and an Etrigan-channeling Black Alice (which features the best genitalia-related rhyme I’ve ever heard, though there’s a pretty short field in that race) and a great moment for Ragdoll. If you aren’t reading this comic, there’s something wrong with you. Granted, if you are reading this comic, there’s still probably something wrong with you.

Justice League: Generation Lost #3: I keep really wanting to like this book, but something’s just not clicking. The art is fine, the plot of the book is interesting enough, and I’m invested in the characters and all. It’s just…I dunno, maybe it’s Winnick’s dialogue (though Giffen’s breakdowns are still great and keep the action moving briskly), maybe it’s that I keep expecting the plot to actually start going somewhere. I dunno. We’ll just have to see where all this goes.

Invincible Iron Man #27: There’s a whole lot of standing around and talking again. It kinda feels a bit too much like last issue. We do finally get some action in Japan between Detroit Steel and some nameless NBGWG (Nameless Bad Guys With Guns), and some nice character moments from the likes of Jim Rhodes and Pepper Potts, but I’m really hoping next issue kicks up the action a bit.

Prince of Power #2: Knock-down, drag-out fight between Amadeus Cho and Thor! So many hilarious sound effects (including a whole slew of IKEA-related ones during the fight with Thor), some great character moments (Cho telling Thor off is fantastic), and some clever plotting and dialogue…this is everything I want from a comic. Honestly, Pak and Van Lente are like the Giffen and DeMatties of the 2000s, finding that perfect balance between comedy and drama.

Booster Gold #33: Speaking of Giffen and DeMatties, this issue finds Booster trying to find evidence in the good ol’ JLI days to prove Max Lord exists, with less than ideal results. We do get a great exchange between Booster and Cyborg near the beginning of the issue, though, that perfectly sums up my feelings about the JLI and why treating the Leaguers from that period as has-beens and also-rans doesn’t do them…well, justice. Definitely a good read.

Astonishing X-Men: Xenogenesis #2: I still wanna see the end of the Ellis/Jimenez story, but this one is picking up a bit from the rather lackluster first issue. It’s still not great, but there’s an element of fun to the story that wasn’t there in the first issue. The art’s kinda grown on me some, too, though I’d still prefer something more superhero-y. The biggest problem with the book is that it feels basically like a retread of every X-Men book Ellis has written since jumping onto Astonishing X-Men: the X-Men hear about the possibility that new mutants are surfacing, so they go to investigate even though they are skeptical. Turns out there aren’t really new mutants showing up/being born, something else is going on, so sad. Admittedly, though, this issue does draw a connection between the current miniseries and Ellis’s first story on the Astonishing title, Ghost Box, but I’m not sure it’s enough to really hold my interest. We’ll see what I think next issue.

Doom Patrol #11: Doom Patrol vs. the Front Men! There’s some fun things here, though less zaniness than I’d expect from a comic featuring Ambush Bug, and the idea of the Front Men is pretty interesting. I get the feeling I’m supposed to recognize the true enemy revealed at the end of the issue, but I’m not up enough on my Doom Patrol lore to really know for certain. There’s definitely plenty going on in this book.

As far as trades are concerned, I grabbed the latest Hellboy collection, The Crooked Man and Other Stories. It includes The Chapel of Moloch, the most recent Hellboy story drawn by Mignola himself. When you throw in stories drawn by Richard Corben and Duncan Fegredo as well, it’s too good to pass up.

The Pull List – March 10th

I don’t let a little thing like having some bad RAM in my laptop stop me from bringing you a rundown of the comics I bought this week! I’m just that dedicated, really.

Batman and Robin #10: New story arc, new artist (Andy Clarke). And damn if this issue doesn’t kick some ass. There’s some great interaction between the two title characters (and a hint that there’s more to Damian than petulance), and a lot of fun clue finding in the Wayne family mansion. This comic is consistently fun and awesome (we’ll even give a pass to the arc with Phillip Tan on art chores), and the setup here for the Return of Bruce Wayne miniseries is handled pretty well. I’m definitely looking forward to next issue.

Batman: Widening Gyre #5: I’m still not sure what to think of this miniseries. It seems like it’s trying to do too many things at once: Bruce Wayne’s efforts to let go a bit, and the introduction of a new player in Gotham named Baphomet. It’s interesting, but the intrigue of who Baphomet really is and why he’s doing what he does and the love story with Silver St. Cloud just…it all seems like it should be in two separate books, not smooshed into one.

Doom Patrol #8: This feels more like what I was expecting out of this series from the beginning. It’s quirky, fun, and manages to maintain a frantic, excited pace throughout. Not to mention Keith Giffen’s use of lots of weird ideas from other incarnations of the Doom Patrol. It’s fun, which is something I always appreciate in a comic. More, please!

Secret Six #19: Another new arc in Secret Six, too. The issue plays a little too formulaic, but the characterization is as solid as we’ve grown to expect from the book, and the ending is pretty awesome (plus, there’s an old man in a tuxedo coat, shirt and tie, and khaki shorts, which is fantastic). This issue promises some crazy antics in the next couple of issues, so I’m still excited to see what happens next.

In terms of trades, I got the Batman: Heart of Hush trade, which was pretty good. Paul Dini’s run on Batman was pretty solid, and this was probably the best use of Hush I’ve ever seen (granted, it’s still Hush, so that’s damning with faint praise, really). Worth checking out if you’re a fan of Dini’s work or Batman in general. I also wanted to pick up the latest volume of Hellboy, but my LCS didn’t have it in stock, unfortunately.